French artist and outstanding master of artistic ceramics Pierre-Adrien Dalpayrat (1844-1910) was born in Limoges. The distinctive feature of the products of his workshop was the red glaze, created according to his own recipes with the addition of copper and called “Rouge Dalpayrat” (red Dalpayrat). The variations of colors that were obtained on the basis of this glaze were endless: he created unique combinations in turquoise, amethyst, often with veins of darker aubergine and brown.
Dalpayrat studied the art of painting on porcelain at the School of Drawing in 1859, and then at the Municipal School of Painting on Porcelain. He studied in Bordeaux in the studio of Jules Veillard and then worked in various faience workshops in the south of France. In 1889, the master opened his own studio in the town of Bourg-la-Reine near Paris. Dalpayre’s wife and three sons also worked in the workshop. By the end of the 19th century, the workshop employed about 40 people. In 1906, the artist ended his career as a ceramicist, returned to his native Limoges and devoted the last years of his life to painting. His house and studio in Bourg-la-Reine are the property of the city. They currently house the Dalpayre Museum, which exhibits more than 120 of his works.
Dalpayre often worked in collaboration with the sculptor Alphonse Voisin-Delacroix, who modeled the forms, while Dalpayre was responsible for the remaining phases of the work process (firing, glaze, patina). After the death of Voisin-Delacroix in 1893, Dalpayre began collaborating with Adèle Lesbros. Their most famous collaboration from this period was a monumental three-metre-high fireplace, acquired by the French government for the Luxembourg Museum and now in the collection of the Musée d’Orsay.