Highly Important Museum Quality Pair of Diamond and Enamel Zarfs
Ceramics Glass

Jean Valentin Morel

Antique Austrian Solid Silver, Enamel and Gem Set Figural Agate Vase, circa 1880
Antique Austrian Solid Silver, Enamel and Gem Set Figural Agate Vase, circa 1880

Jean-Valentin Morel (1794-1860) was born in Paris to Valentin Morel, a lapidary craftsman, and his mother came from a family of silversmiths. Morel learned the craft of lapidary cutting from his father and then apprenticed and worked for the jeweler Adrien-Maximilien Vachette, famous for his gold boxes for Louis XVI and Napoleon. In 1818, Morel opened his own business and registered his trademark on August 2, 1827.

19th Century Austrian Solid Silver, Enamel & Gem Set Figural Agate Bowl, c.1880
19th Century Austrian Solid Silver, Enamel & Gem Set Figural Agate Bowl, c.1880

Between 1834 and 1840, Morel worked for the jeweler Jean-Baptiste Fossin, and in 1842, he signed a contract with the silversmith and goldsmith Henri Duponchel, establishing a shop called “Morel & Cie” on Rue Neuve-Saint-Augustin in Paris. The company, which employed up to 80 people, enjoyed great success and quickly gained an international reputation. The enterprise produced decorative vases, jewelry sets, and silverware based on designs by Jules Peyrat and Constant Cévin. The quality of the firm’s products was recognized with a gold medal at the French Industrial Exhibition of 1844.

Over time, disagreements arose between the partners, leading to the dissolution of the partnership. Duponchel filed a lawsuit in 1848, prohibiting Morel from working in Paris.

19th Century Victorian Solid Silver Gilt Paperweight, Jean Valentin Morel, c1851
19th Century Victorian Solid Silver Gilt Paperweight, Jean Valentin Morel, c1851

The Revolution of 1848 led to a significant decline in the company, which at that time was known as House of Fossin. To attract foreign clients, it was decided to relocate the business to London. Jean-Valentin Morel was appointed managing director. In London, Jean-Valentin Morel became Queen Victoria’s personal jeweler. At the first World’s Fair in 1851, the company was awarded one of the most prestigious prizes.

Neoclassical Style Gilt Bronze Gueridon Attributed to Ferdinand Barbedienne
Neoclassical Style Gilt Bronze Gueridon Attributed to Ferdinand Barbedienne

Morel returned to France in 1852 and opened a new workshop in Sèvres. He continued working, but began to experience financial difficulties that would plague him until his death in 1860. At the Paris International Exhibition of 1855, he received the Grand Medal for his gold jewelry. There, he exhibited his famous bloodstone bowl, commissioned by the French patron, the Duc de Luynes.

A Rare and Exquisite Silver, Enameled Chalice Jules Wièse and Froment Meurice
A Rare and Exquisite Silver, Enameled Chalice Jules Wièse and Froment Meurice
Napoleon III Clock Garniture Designed by Sévin, Cast by Barbedienne
Napoleon III Clock Garniture Designed by Sévin, Cast by Barbedienne
Important French Renaissance Revival Silver, Lapis Lazuli, Jeweled Covered Box
Important French Renaissance Revival Silver, Lapis Lazuli, Jeweled Covered Box
Highly Important Museum Quality Pair of Diamond and Enamel Zarfs
Highly Important Museum Quality Pair of Diamond and Enamel Zarfs
Ferdinand Barbedienne, a French Ormolu and Champleve Enamel Jardiniere, C. 1870
Ferdinand Barbedienne, a French Ormolu and Champleve Enamel Jardiniere, C. 1870
Agate Cup with Jewelled and Enamelled Gold and Silver Gilt Mounts by Morel
Agate Cup with Jewelled and Enamelled Gold and Silver Gilt Mounts by Morel
Bloodstone tazza in a gold frame, decorated with enamel, emeralds, rubies, sapphires and a cameo, height 28 cm, Jean Valentin Morel, 1854 1855, from the collection of the Indianapolis Museum of Art.
Bloodstone tazza in a gold frame, decorated with enamel, emeralds, rubies, sapphires and a cameo, height 28 cm, Jean Valentin Morel, 1854 1855, from the collection of the Indianapolis Museum of Art.
Gold bowl decorated with enamel depicting views of the Bosphorus, made for sale on the Ottoman market, height 11 cm, Jean Valentin Morel, circa 1850
Gold bowl decorated with enamel depicting views of the Bosphorus, made for sale on the Ottoman market, height 11 cm, Jean Valentin Morel, circa 1850
Agate bowl in a gold and silver frame with enamel and rubies, height 20.8 cm, Jean Valentin Morel, 1836 1840.
Agate bowl in a gold and silver frame with enamel and rubies, height 20.8 cm, Jean Valentin Morel, 1836 1840.
Bloodstone tazza in a gold frame with enamel and pearls, supported by figures of a satyr and a girl, height 20.4 cm, Jean Valentin Morel, circa 1855
Bloodstone tazza in a gold frame with enamel and pearls, supported by figures of a satyr and a girl, height 20.4 cm, Jean Valentin Morel, circa 1855
A Fatimid rock crystal ewer in a gold and enamel setting by Jean Valentin Morel, from the Keir Collection of Islamic Art, on loan to the Dallas Museum of Art.
A Fatimid rock crystal ewer in a gold and enamel setting by Jean Valentin Morel, from the Keir Collection of Islamic Art, on loan to the Dallas Museum of Art.