Round flat vessels with a narrow neck have been known in many cultures since ancient times. In Europe, they were called pilgrim flasks or pilgrim flasks. Chinese vessels of a similar shape, which were called moon flasks, were coveted objects for European collectors of outlandish and exotic items, who added them to their cabinets of curiosities or cabinets of curiosities. There was such a rarity in the personal collection of Peter the Great. This is a bronze moon flask decorated with cloisonné enamel. A bronze moon flask is a great rarity; porcelain was a much more common material.
Chinese porcelain moon flasks were decorated with symbolic flowers, dragons or Buddhist emblems in blue and white tones. Some imperial Chinese porcelain moon jars are over 50 cm tall. Their manufacture required great technical skill, as pieces of this size tended to warp during firing.
Porcelain production inspired by Chinese styles came to Japan in the 17th century. In the second half of the 19th century, Japan’s period of self-isolation came to an end, and exports began to reach the West in large numbers. Asian art and design were presented at the London International Exhibition in 1862 and the Paris World’s Fair in 1867, inspiring European artists and designers with a new aesthetic.
The 19th-century European fascination with oriental exotica stimulated the production of Chinese- or Japanese-style tableware and decorative objects by European ceramic makers. The moon jar became one of the most popular forms of artistic pottery of the period.
Along with the Japanese works, a small group of Minton porcelain designed by Christopher Dresser (1834-1904) was exhibited at the Paris Exhibition of 1867. Dresser was the first European designer to visit Japan in an official capacity. This pioneer of industrial design began working for Minton in the mid-1860s. Among his early designs were bone china moon flasks with Japanese decorative motifs. Moon flasks, a convenient round “canvas”, became a favourite shape for ceramic artists such as Marc-Louis Solon, Arthur Morgan, Henry Hollins, William Mussill, William Coleman.
The moon flask shapes for Royal Worcester were designed by James Hadley. Such vases were exhibited at the Second London International Exhibition in 1872. Hadley’s original design sketches survive in the Royal Museum Worcester.