Mstislav Dobuzhinsky, Channel. Haarlem. 1910
Artist

Mstislav Dobuzhinsky – genius of the urban landscape, graphic artist

Vitebsk. 1919
Vitebsk. 1919

Mstislav Valerianovich Dobuzhinsky was a Russian and Lithuanian painter, book graphic artist, theater artist of the late 19th – early 20th centuries. The work of Mstislav Dobuzhinsky gravitated towards the genre of the urban landscape. His paintings were close to symbolism in style.

Mstislav Dobuzhinsky left a huge legacy. His graphic sketches, sketches of scenery and costumes, memories and art research – all speak of an extraordinary thirst for creation.

Voronezh. Gates. 1912
Voronezh. Gates. 1912

Biography of Mstislav Dobuzhinsky

Mstislav Valerianovich Dobuzhinsky was born on August 2, 1875 in Novgorod into a family of representatives of an ancient Lithuanian family. With warmth the artist describes his childhood years in his memoirs. Since 1895, Dobuzhinsky studied at the law faculty of St. Petersburg University and was engaged in painting.

Upon completion of his studies, he left for Munich, where for two years he worked in the art studios of Anton Ashbe (Slovenian Anton Ažbe) and Shimon Hollosy (Hungarian Hollósy Simon). There Dobuzhinsky met Igor Grabar and, upon his return to Russia, entered the circle of artists of the World of Art association, whose members conveyed in their works a premonition of the great cataclysms of the 20th century and sought to unravel the mysterious signs of fate. This could not but affect the work of Mstislav Dobuzhinsky. His best paintings of that period were devoted to the charm of the aesthetics and atmosphere of past eras.

Yard. 1903
Yard. 1903

Having tremendous experience as a stage designer at the Komissarzhevskaya Theater and at the Moscow Art Theater, Mstislav Dobuzhinsky began in 1914 to design ballet performances. Sergei Diaghilev invited him to Paris to create the scenery. Collaboration with the performing arts opened up many dramatic aspects of life for the artist.

From the life of Petrograd in 1920. 1920
From the life of Petrograd in 1920. 1920

Dobuzhinsky spent the years of revolutionary upheavals and the Civil War in Petrograd.

“Before my eyes, the city was dying a death of extraordinary beauty,” the artist wrote. He tirelessly sketched casual cityscapes, trying to show the inner life of the city. The heavy impressions of the prosaic everyday life of people who were accidentally connected by a common place were reflected in the paintings of that period.

Doll. 1905
Doll. 1905

In 1924, Mstislav Dobuzhinsky emigrated to Kaunas, then moved to Latvia, and was intensively involved in the cultural life of the Russian diaspora. Since 1939, Dobuzhinsky has lived and worked in the United States. There he worked as a set designer and studied the history of theater painting.

In the 1950s he was in Europe for a long time. He returned to New York in mid-autumn 1957. A month later, on November 20, 1957, Dobuzhinsky passed away.

The most famous paintings by Mstislav Valerianovich Dobuzhinsky

Mstislav Dobuzhinsky’s paintings have always attracted the attention of art connoisseurs. The most characteristic works of the artist:

  1. “House in St. Petersburg” (1905) – a lyrical work dedicated to the theme of urbanism. A dilapidated wooden house of the Empire era is an image of tranquility and comfort, supplanted by the stone bulk of a tenement building.
  2. “Doll” (1905) – the painting symbolizes memories of the old city, childhood, significant events in the past life of a person.
  3. “A man with glasses. Portrait of Konstantin Aleksandrovich Sunnerberg “(1906) is an image of a Petersburg intellectual at the beginning of the last century, withdrawn, fenced off from social problems. The masterpiece was acquired in 1908 by the Tretyakov Gallery.
  4. “Glass Street in Vilno” (1906) – the image of a provincial town. The motives of Vilna occupy an important place in the artist’s work.
  5. “Lion Bridge”. From a series of lithographs “Petersburg in 1921” (1923) – one of the monographs about the former greatness of the city, beloved by the author.
  6. Illustration for “The Word about Igor’s Campaign” (1951) – a drawing that reflects the power of human freedom and the power of natural elements. By simple means, the artist managed to convey the emotion and dynamics of the work of ancient Russian literature.
Reconciliation. 1905
Reconciliation. 1905
Rally in front of the Palace of Arts. 1920
Rally in front of the Palace of Arts. 1920
Province of the 1830s. 1907-09
Province of the 1830s. 1907-09
Mstislav Dobuzhinsky. Petersburg. Washing. Near the New Admiralty. 1903
Petersburg. Washing. Near the New Admiralty. 1903
Old house. 1905
Old house. 1905
Night in St. Petersburg. 1924
Night in St. Petersburg. 1924
Naples. 1911
Naples. 1911
House in St. Petersburg. 1905
House in St. Petersburg. 1905
Mstislav Dobuzhinsky, Green couch. Set design for Turgenev's play A Month in the Country. 1909
Green couch. Set design for Turgenev’s play A Month in the Country. 1909
Mstislav Dobuzhinsky. Glass street in Vilna. 1906
Glass street in Vilna. 1906
Mstislav Dobuzhinsky, Chernigov. Warehouses. 1912
Chernigov. Warehouses. 1912
Mstislav Dobuzhinsky, Channel. Haarlem. 1910
Channel. Haarlem. 1910
Mstislav Dobuzhinsky, Kiss (Two in the city). 1918
Kiss (Two in the city). 1918
Mstislav Dobuzhinsky, Grimaces of the city. 1908
Grimaces of the city. 1908
Mstislav Dobuzhinsky, London. Monument. 1906
London. Monument. 1906
Mstislav Dobuzhinsky, Omnibus in Vilno. 1906-07
Omnibus in Vilno. 1906-07
Mstislav Dobuzhinsky, October idyll. 1905
October idyll. 1905
Mstislav Dobuzhinsky. Petersburg. Fontanka. Summer Palace of Peter the Great. 1902
Petersburg. Fontanka. Summer Palace of Peter the Great. 1902