The first mention of the master Julien-Nicolas Rivard dates back to 1835: he changed the address of his workshop several times. And they were all in poor neighborhoods. In the late 1840s, he developed a new marquetry technique and finally received the recognition he deserved.
Sketch for a patent application dated December 29 1849The situation with work changed dramatically when Louis-Napoleon Bonaparte came to power and the Second Empire was proclaimed a period of modernization and economic recovery. The timber embargo was lifted and there was a demand for luxury goods.
The marquetry technique developed by Rivard gave him the opportunity to collaborate with renowned masters such as Taan, the emperor’s cabinetmaker, and gain access to prestigious commissions. Since that time, his studio has moved to the street of Normandie, in a busy area of old Paris.
The period of the World Exhibitions, the first of which was initiated by Prince Albert in London in 1851, became extremely successful for Rivard. At this exhibition, Rivard received the Grand Prix for an imposing ebony and mahogany wardrobe created in collaboration with the sculptor Victor Paillard.