The Massieu dynasty of ceramicists has been known in the south of France since the beginning of the 18th century, when Pierre Massieu (1707-1748) opened the first pottery workshop for the production of utilitarian dishes in Vallauris. And by the end of the 19th century, there were already three ceramic factories in this region, which were managed by Pierre’s great-grandchildren: Delphin, Clement and their second cousin Jacques.
The most famous ceramicist at the turn of the century was Clement, thanks to his passion for inventing his own recipes for unusual iridescent glazes with a metallic sheen. Clement’s experiments brought him worldwide fame and a gold medal at the World Exhibition in Paris in 1889.
Clement Massieu’s older brother, Delphin Massieu (1836-1907), inherited his share in the family ceramics business after the death of their father Jacques in 1871. The Delphin Massieu factory’s range was more traditional. It specialized in the production of polychrome enameled faience for home and garden. In my opinion, the garden ceramics of this factory are especially interesting. Flowerpots, jardinieres, vases and garden figurines from the Delphin Massieu factory were in great demand among gardeners on the French Riviera.
During the heyday of the Art Nouveau style, Delphin Massier’s factory began to produce ceramics with typical Art Nouveau motifs. The factory’s craftsmen mastered the production of items with “metallized” glazes created by Clement Massier. Many of these items with a metallic sheen are unusually good.