François Théodore Legrasse, one of the foremost Art Nouveau glaziers along with Emile Galle, the Daum brothers and René Lalique. François Theodore Legrasse’s factory was called the Saint-Denis Glass and Crystal Factory. His products were presented at the World Exhibition of 1900 in Paris and received the Grand Prix.
The Legras & Cie production, organized by Auguste-Jean-Francois Legras in 1864 as a result of the acquisition of an already existing production in Saint-Denis (now a suburb of Paris), throughout its activity was a very successful commercial enterprise, although the artistic level of its products and was not exceptionally high. Auguste Legras himself was a great admirer of Galle.
From 1900, Legras began to produce glass in the Art Nouveau style. Of the products of this time, the most interesting are cameo-style vases and decorated with enamel, outwardly similar to carved carnelian. They were made of several layers of opaque, beige-pink glass, on the outer layer of which, with the help of hydrofluoric acid, a pattern of flowers (chrysanthemums, irises, etc.), fruits or algae was etched. In subsequent stages, this pattern was covered with enamel (green for leaves, and red or brown (most often) for fruits and flowers) and vitrified in a kiln.
In 1909, Auguste Legras retired and production was taken over by his son Charles. The company continued to manufacture products in the Art Nouveau style. Among the most common items after 1909 are glass, on which designs are made by etching, often on a transparent background with a “frost pattern”. Enamels and gilding were also often used.