Chinese style in the interior home comfort in the style of feng shui

The Chinese style in the interior is one of the directions of ethnic design, which has developed under the influence of the cultural and religious traditions of the country, the mentality of its population. Chinese style is exotic and unique, mysterious and attractive.

Chinese-style interiors are interesting for their contrasts. The decoration is not overloaded with details, but at the same time it makes a luxurious impression. The arrangement of elements seems chaotic, but upon closer examination, it turns out that each thing is in its place. The room looks so harmonious that it seems that nothing in it can be changed or moved even by a millimeter. This design style will suit perfectionists and true connoisseurs of oriental culture, creative and extraordinary people.

The main characteristics and features of the Chinese style in the interior

Deciding to design a house in the East Asian style, you need to understand from the very beginning that this exotic will cost serious amounts. First of all, because any ethno-interior, including Chinese, is natural materials, handmade, exclusive authentic elements, luxurious textiles, non-standard furniture and masterful planning.

The main rule when creating a Chinese-style environment is that energy should flow freely. According to the teachings of Feng Shui, the location of each item in the house is subject to strict rules. Objects and furniture must be placed in certain places, according to their type of energy. Corners are rare in the interior.

The main features

Only natural materials are used: dark wood, bamboo, stone, metal, silk, paper, ceramics, reed. You can replace, but the imitation must be of very high quality and reliable.

Gamma. Scarlet, black, gold are the main colors of the Chinese interior, the divine triad. For accents, red-brown, sand and cream tones, sky blue, green, white, bronze and yellow are often taken. You need to understand that each shade carries a certain symbolism. The favorite color of the people of China is the deep red color of cinnabar.

Decor. Special attention is paid to the decoration of the rooms. It is thanks to him that a rather laconic space looks impressively luxurious. Exquisite patterns on the wallpaper or directly on the walls act as decorative elements. The walls are painted with ornaments, flowers and plants, dragons, hieroglyphs, various symbols and even landscapes. Asian interiors are rich in openwork wooden lattices, luxurious bright screens, which are also used for zoning rooms.

Furniture. Cabinets, cabinets and chests of drawers gui also do not differ in height, but at the same time they are very roomy due to the depth and large width. The simplicity of the forms of Chinese furniture is compensated by the fact that tables and chairs are made of expensive woods, decorated with carvings, paintings, colored glass inserts, rich inlays and, of course, covered with black lacquer several times. The arrangement of objects uses the same principle as in Japanese design the room is filled with them from the center to the walls.

Textile.

There are many fabrics in the Chinese interior. Upholstery of upholstered furniture and walls, carpets and panels, screens and decorative pillows. Textile elements look concise due to smooth textures and the absence of draperies. In addition, there are no curtains in a traditional Asian home.

Light. Lighting in Chinese design is subdued and diffused. Soft warm shades predominate yellow, pink, orange light.

History

China, despite its extensive trade, remained a closed state for a long time. Only at the end of the 17th century did the satiated European nobility discover exquisite Chinese porcelain, silk, lacquered knick-knacks and fell ill with Asian exoticism. In the next century, passion for China literally overwhelmed the Old World. The living rooms were decorated with furniture “pagodas”, the ladies wore dresses with embroidered dragons the chinoiserie spirit reigned in cold European homes. It is noteworthy that in Russia a variety of “Chinese” became fashionable back in the time of Peter the Great. This happened due to active trade between countries.

In the 18th century, painted Chinese screens, the finest tea sets, fans and umbrellas already appeared in almost all respectable English living rooms. Porcelain flowerpots were adjacent to decorative lattices. Delighted guests were proudly shown exotic gizmos made by the masters of the Celestial Empire. Chinoiserie (“Chinese”) fit well into the Baroque and Rococo, but at the same time lost its deep symbolism.

The next wave of popularity of the Chinese style caught the Old and New Worlds already in the 20th century. But now symbolism and the philosophical content of things have come to the main roles along with decorativeness. Passion for the ideas of feng shui also played a role.