Sodoma Life of Saint Benedict. Scene Benedict mends a broken colander by prayer, between 1505 and 1508, fresco, Monastery of Monte Oliveto Maggiore, Tuscany.
Artist

Sodoma – Italian artist of the Sienese school of Renaissance painting

Sodom. The Holy Family with St. Elizabeth and the Infant John. 1525–30. Walters Gallery, Baltimore.
Sodom. The Holy Family with St. Elizabeth and the Infant John. 1525–30. Walters Gallery, Baltimore.

His real name was Giovanni Antonio Bazzi. He was born in Vercelli near Savoy. From 1498 he studied with Leonardo da Vinci in Milan, and in 1501 he moved to Siena, where he painted several frescoes and canvases. In 1505, Sodoma created a large cycle of frescoes based on the life of St. Benedict for the monastery of Monte Oliveto Maggiore, as well as “The Descent from the Cross” (now in the Museum of Siena). The background in this painting is believed to have been inspired by the works of the Netherlandish painter Jan van Eyck, although many Italian artists, including Leonardo da Vinci, also depicted landscapes in the backgrounds of their paintings.

Sodoma, The Holy Family with the Young Saint John, between 1525 and 1527, oil on panel, 70 x 47 mm, Pinacoteca Civica Crociani, Rome.
Sodoma, The Holy Family with the Young Saint John, between 1525 and 1527, oil on panel, 70 x 47 mm, Pinacoteca Civica Crociani, Rome.

During the Renaissance, paintings like this were often done by a workshop – a group of artists working under the direction of one master. The master created the overall composition and painted the key elements of the painting, while his assistants painted the background and secondary figures. Despite this, the entire painting was attributed to the master himself. Born in Lombardy, Sodoma worked in Siena and Rome, where he completed many commissions.

Sodoma, The Death of Lucretia, 1513, oil on panel, 71 x 61 cm, Museum of Fine Arts, Budapest.
Sodoma, The Death of Lucretia, 1513, oil on panel, 71 x 61 cm, Museum of Fine Arts, Budapest.

Sodoma became the most famous of the Sienese masters of the first decades of the 16th century. Sodoma worked as a fresco artist (paintings of the Chapel of St. Catherine in the church of San Domenico, begun in 1526, and in the Palazzo Pubblico in Siena) and as an author of altarpieces.

Sodoma, Leda early 1510s, wood, oil, 53.3 x 37 cm, State Hermitage Museum, St. Petersburg.
Leda early 1510s, wood, oil, 53.3 x 37 cm, State Hermitage Museum, St. Petersburg.

In 1515, Sodoma returned to Siena, where in 1518 he painted four frescoes from the history of Mary for the oratory of San Bernardino. From 1518 to 1525, Sodoma was apparently in Upper Italy, where he became acquainted with the work of artists of the Lombard school. From 1525 to 1537, Sodoma lived in Siena. In 1525, the artist began work on his main work, imbued with depth and truthfulness of perception – frescoes based on the life of St. Catherine in the Chapel of the Saints of the Church of San Domenico, and also painted several portraits of saints and “Resurrection” for the Siena town hall. Sodoma led a cheerful lifestyle, his eccentric nature did not allow the artist to carefully work on sketches from nature and his paintings.

Sodoma, Saint George Slaying the Dragon, 1518, National Gallery, Washington.
Saint George Slaying the Dragon, 1518, National Gallery, Washington.
Sodoma, Saint George Slaying the Dragon, 1518.
SSaint George Slaying the Dragon, 1518.
Sodoma, Pieta, 1503 1504, fresco, Monastery of Saint Anne, Camprena.
Pieta, 1503 1504, fresco, Monastery of Saint Anne, Camprena.
Sodoma, Saint Benedict Sending Back the Courtesans Sent by the Friar Florentius, 1505 1508, fresco, Monte Oliveto Maggiore.
Saint Benedict Sending Back the Courtesans Sent by the Friar Florentius, 1505 1508, fresco, Monte Oliveto Maggiore.
Sodoma, The Wedding of Alexander the Great and Roxana, circa 1517, fresco, 370 x 660 cm, Villa Farnesina, Rome.
The Wedding of Alexander the Great and Roxana, circa 1517, fresco, 370 x 660 cm, Villa Farnesina, Rome.
Sodoma Life of Saint Benedict. Scene Benedict mends a broken colander by prayer, between 1505 and 1508, fresco, Monastery of Monte Oliveto Maggiore, Tuscany.
Life of Saint Benedict. Scene Benedict mends a broken colander by prayer, between 1505 and 1508, fresco, Monastery of Monte Oliveto Maggiore, Tuscany.
Self portrait of Giovanni Antonio Bazzi, 1505 1508, detail of the fresco Saint Benedict mending a broken colander with prayer, Monastery of Monte Oliveto Maggiore, Tuscany.
Self portrait of Giovanni Antonio Bazzi, 1505 1508, detail of the fresco Saint Benedict mending a broken colander with prayer, Monastery of Monte Oliveto Maggiore, Tuscany.
Sodoma (Giovanni Antonio Bazzi, Italian, 1477 1549)
Giovanni Antonio Bazzi, Italian, 1477 -1549.
Allegorical male figure.
Allegorical male figure.
Sodoma The Rape of the Sabine Women.
The Rape of the Sabine Women.
Sodoma St. Sebastian.
Sebastian.
Sodoma St. George and the Dragon.
St. George and the Dragon.
Deposition from the Cross 1510 1513, National Pinacoteca, Siena.
Deposition from the Cross 1510 1513, National Pinacoteca, Siena.
The Holy Family with the Young John the Baptist 1525 1527.
The Holy Family with the Young John the Baptist 1525-527.
The Mystical Marriage of Saint Catherine 1539 1540.
The Mystical Marriage of Saint Catherine 1539-1540.