Italian Landscape, 1847.
Artist

Maksim Nikiforovich Vorobyov was a Russian landscape painter

Haymaking. 1812.
Haymaking. 1812.

Maksim Nikiforovich Vorobyov was born on August 17, 1787 in Pskov. He was the son of a senior officer who served as a watchman at the Academy of Arts. Thanks to his father, the boy was familiar with art from childhood and dreamed of drawing. At the age of ten, he became a student where his parent worked.

Vorobyov’s life was going well. In 1814, he received the title of academician, and a year later he began teaching. In 1823, he became a professor, and 20 years later, an honored professor.

Seaside view in Italy. 1840s.
Seaside view in Italy. 1840s.

Maxim Nikiforovich enthusiastically painted seascapes and city landscapes, painstakingly captured monuments and views of nature. From his works, one can trace what St. Petersburg looked like in the past.

In his personal life, Maxim Nikiforovich was also wonderful. He married his beloved girl – Cleopatra Loginovna. She was nine years younger than him.

Peter and Paul Fortress.
Peter and Paul Fortress.

The couple had one son. They named him Socrates. Years later, Socrates Maksimovich would continue his father’s work – he would become an artist, teach at the Academy and receive the title of professor.

Maxim Vorobyov traveled a lot and the countries he visited can be seen in his works. The public liked the artist’s works and he had no problem finding customers.

Autumn night in St. Petersburg. Pier with Egyptian sphinxes on the Neva at night. 1835.
Autumn night in St. Petersburg. Pier with Egyptian sphinxes on the Neva at night. 1835.

Everything was fine until tragedy struck. Maxim Nikiforovich’s beloved wife died in 1840, at the age of 44. The artist did not expect such a loss, he was so broken by what happened that he was never able to recover. To drown out the pain, Vorobyov became addicted to drinking.

One of Maxim Nikiforovich’s best paintings is considered to be the work that became an allegory for the death of his wife. It is called “Oak, Shattered by Lightning”.

Odessa, 1832.
Odessa, 1832.

Vorobyov’s life suddenly lost its meaning. There was work left, from which he drew strength, but everything rushed downwards… Mental loneliness, attempts to distract himself, drinking had a bad effect on the painter’s health. He began to paint less often. Everything was leading to one thing – to the desire to unite forever with his beloved wife. Maxim Nikiforovich died in the autumn of 1855. He was buried in the Smolensk Orthodox Cemetery next to his wife. As he wanted.

Self portrait. 1840s.
Self portrait. 1840s.
The Gulf of Naples. 1846.
The Gulf of Naples. 1846.
Neva embankment with sphinxes near the Academy of Arts. 1835.
Neva embankment with sphinxes near the Academy of Arts. 1835.
Moonlit Night in St. Petersburg. 1839.
Moonlit Night in St. Petersburg. 1839.
Italian Landscape, 1847.
Italian Landscape, 1847.
St. Isaac's Cathedral and monument to Peter I. 1844.
St. Isaac’s Cathedral and monument to Peter I. 1844.
Sunset in the vicinity of St. Petersburg, 1832.
Sunset in the vicinity of St. Petersburg, 1832.
Elagin Island at night, 1810 20s.
Elagin Island at night, 1810 20s.
Oak Tree Shattered by Lightning (Allegory on the Death of the Artist's Wife). 1842.
Oak Tree Shattered by Lightning (Allegory on the Death of the Artist’s Wife). 1842.
Sunrise under the Neva. 1830.
Sunrise under the Neva. 1830.
View of the Church of the Nativity. 1833.
View of the Church of the Nativity. 1833.
Maksim Nikiforovich Vorobyov View of the Gruzino estate from the Volkhov side, 1811 15.
View of the Gruzino estate from the Volkhov side, 1811 15.
Maksim Nikiforovich Vorobyov View from the Yauza to the Kremlin in Moscow.
Yauza to the Kremlin in Moscow.
View from Elagin's terrace, 1823.
View from Elagin’s terrace, 1823.
Maksim Nikiforovich Vorobyov View of Rome. Early 1850s.
View of Rome. Early 1850s.
Maksim Nikiforovich Vorobyov View of the Moscow Kremlin (from the Ustinsky Bridge). 1818.
View of the Moscow Kremlin (from the Ustinsky Bridge). 1818.
Maksim Nikiforovich Vorobyov View of the Moscow Kremlin (from the Stone Bridge). 1819.
View of the Moscow Kremlin (from the Stone Bridge). 1819.
Maksim Nikiforovich Vorobyov View from the window, 1821.
View from the window, 1821.
Maksim Nikiforovich Vorobyov View of Jerusalem. 1821.
View of Jerusalem. 1821.
Maksim Nikiforovich Vorobyov View of the Palace Embankment in Saint Petersburg.
View of the Palace Embankment in Saint Petersburg.
Maksim Nikiforovich Vorobyov Evening at the Arab Sheikh Abu Ghosh.
Evening at the Arab Sheikh Abu Ghosh.
Maksim Nikiforovich Vorobyov Bosphorus. 1829.
Bosphorus, Maksim Nikiforovich Vorobyov 1829.
Maksim Nikiforovich Vorobyov Alley in Albano. Early 19th century.
Alley in Albano. Maksim Nikiforovich Vorobyov, Early 19th century.