Magnificent mosaic tables by Michelangelo Barberi

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Contents
  1. Table with Roman mosaic “Views of Italy”
  2. Flora of the Two Sicilies
  3. Consider the mosaics of this table in detail.
Table with micromosaic by Gioacchino Barberi depicting the Battle of Kars during the Russo-Turkish War of 1828-1829 after a watercolor by Alexander Orlovsky, made for the Russian court, circa 1830-1833.
Table with micromosaic by Gioacchino Barberi depicting the Battle of Kars during the Russo-Turkish War of 1828-1829 after a watercolor by Alexander Orlovsky, made for the Russian court, circa 1830-1833.

Michelangelo Barberi (1787-1867) was one of the most famous micromosaic masters of his time. He and his brother Gioachino Barberi had large mosaic workshops near the Spanish Steps in Rome. Michelangelo is best known for his countertops. Gioacchino is also known as an outstanding master of mosaic miniatures. In 1827, Michelangelo visited St. Petersburg at the invitation of Nicholas I and received a flattering offer to establish a mosaic school in Russia, but the master turned down the emperor’s invitation, citing poor health.

In 1851, Barbary participated in the World Exhibition in London, where he received the only gold medal awarded to the Papal States for the mosaic table “The Beautiful Sky of Italy”, following the example of the one he made for the Russian emperor. This table by Michelangelo Barberi, called “Views of Italy” is still in the collection of the State Hermitage.

Table with Roman mosaic “Views of Italy”

Table with Roman mosaic "Views of Italy", Michelangelo Barberi, Rome, 1846 (1852 ?), State Hermitage Museum, St. Petersburg
Table with Roman mosaic “Views of Italy”, Michelangelo Barberi, Rome, 1846 (1852 ?), State Hermitage Museum, St. Petersburg

The tabletop, 105 cm in diameter, was made by order of Nicholas I. It depicts views of the Italian cities that the Russian emperor visited during his trip in 1845. The medallions contain copies of the works of the great Italian masters of the Renaissance: Leonardo da Vinci, Michelangelo, Raphael, Titian and others. Ordering the work directly from the master, Nicholas I called it “The Beautiful Sky of Italy”. The central medallion contains a portrait of the Emperor’s wife Alexandra Feodorovna.

Flora of the Two Sicilies

Table "Flora of the Two Sicilies", micromosaic, Michelangelo Barberi, Rome, circa 1850, V&A Museum, London
Table “Flora of the Two Sicilies”, micromosaic, Michelangelo Barberi, Rome, circa 1850, V&A Museum, London

The second table, dated circa 1850, entitled “Flora of the Two Sicilies”, is also inspired by the Emperor’s 1845 trip to Europe. In Michelangelo Barberi’s 1856 book, he describes the emperor’s visit in 1845 and his wishes: “The Tsar also requested that the portrait of his daughter, Grand Duchess Olga, be in the center of the table, symbolically placed inside the star that obscures the sun, so that one could say: ” C’est une beauté qui efface le soleil” (This is the beauty that outshines the sun).

The Two Sicilies consisted of the southern Italian kingdom around Naples and the island of Sicily. The two states were officially united in 1816. Six Sicilian and Neapolitan landscapes and their lush vegetation adorn the table (Pompeii, Naples, Paestum, Taormina, Palermo Museum and Tindari). In the center of it is a profile of the daughter of Tsar Olga, later Queen Olga of Württemberg.

Consider the mosaics of this table in detail.

Central mosaic table Roma Cronologica overlooking St. Peter's Basilica
Central mosaic table Roma Cronologica overlooking St. Peter’s Basilica
Fragment of the mosaic table Roma Cronologica
Mosaic table Roma Cronologica
Fragment of the mosaic table Roma Cronologica
Fragment of the mosaic table Roma Cronologica
Fragment of the mosaic table Roma Cronologica
Fragment of the mosaic table Roma Cronologica
Fragment of the mosaic table Roma Cronologica
mosaic table Roma Cronologica
Table depicting a wreath of grapes and flowers, micromosaic, marble, Michelangelo Barberi, Rome, circa 1851, V&A Museum, London
Table depicting a wreath of grapes and flowers, micromosaic, marble, Michelangelo Barberi, Rome, circa 1851, V&A Museum, London
Table with micromosaic "Twenty-Four Hours in Rome" (Colosseum at night, Tomb of Nero at sunrise, Piazza del Popolo in the early morning, Ponte Lucano in the late morning, St. Peter's Square at noon, Tomb of Cecilia Metella at noon, Forum at sunset, Pyramid of Gaius Cestius at Dusk), Michelangelo Barberi, Rome, circa 1866, V&A Museum, London
Table with micromosaic “Twenty-Four Hours in Rome” (Colosseum at night, Tomb of Nero at sunrise, Piazza del Popolo in the early morning, Ponte Lucano in the late morning, St. Peter’s Square at noon, Tomb of Cecilia Metella at noon, Forum at sunset, Pyramid of Gaius Cestius at Dusk), Michelangelo Barberi, Rome, circa 1866, V&A Museum, London
Table "Day and Night" depicting a fountain between two monuments within a wreath of flowers and grapes, micromosaic, marble, Michelangelo Barberi, Rome, circa 1853, V&A Museum, London
Table “Day and Night” depicting a fountain between two monuments within a wreath of flowers and grapes, micromosaic, marble, Michelangelo Barberi, Rome, circa 1853, V&A Museum, London
Black slate top inlaid with marbles and images of Rome, in the central medallion - view of the Forum, micromosaic, marble, Michelangelo Barberi, Rome, circa 1850-1867, V&A Museum, London
Black slate top inlaid with marbles and images of Rome, in the central medallion – view of the Forum, micromosaic, marble, Michelangelo Barberi, Rome, circa 1850-1867, V&A Museum, London
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