Dancing in the Pavilion 1730 1735.
Artist

Artist Nicolas Lancret

Youth.
Youth.

Nicolas Lancret, French painter, representative of the Rococo style of art. He was strongly influenced by Antoine Watteau. In 1719 he was accepted as a member of the Royal Academy of Painting and Sculpture as a “master of gallant subjects”. Lancret painted “gallant scenes”, landscapes, genre and theatrical compositions, portraits in the spirit of the Rococo era, distinguished by an exquisite, somewhat faded color scheme, a decorative, soft painting style.

Winter 1738.
Winter 1738.

The artist also turns to the depiction of theatrical scenes taken from plays and productions of 18th century playwrights, such as Dancourt or Marivaux. Lancret is a unique and subtle painter. He perfectly mastered the art of constructing a group of figures and combining several groups into a single harmonious whole.

Swing 1730s.
Swing 1730s.

Lancret’s role in the development of the genre of “gallant celebration” is great. The artist outlived his teachers and rivals, so his influence was more lasting. In addition, Lancret did much to spread French taste in Europe. In the 18th century, Lancret’s paintings were collected not only by Parisian connoisseurs, but also by Frederick II, who sought to reproduce the lifestyle of the French court in the Sanssouci Palace, the Russian Empress Catherine II, and the English aristocrat Sir Richard Wallace. Lancret’s paintings still retain their fragile charm, reminding us of one of the most brilliant periods in the culture and history of France.

Spring.
Spring.

Nicolas Lancret loved the theater and often visited the Parisian “Opera” and “Comédie Française”, where the artist met the brilliant ballerina Camargo and Mademoiselle de Sallier, with whom Lancret later had very close ties and whose magnificent portraits he painted.

Society in the Garden 1720 1740.
Society in the Garden 1720 1740.

An old and confirmed bachelor of fifty, Lancret began to often meet a young girl of about seventeen or eighteen years old at the stairs of his house. Having learned that this girl lived in poverty with her mother, who was terminally ill, Lancret decided to visit them. The artist knocked on the door of the attic in a nearby house, which was opened by a girl wiping away tears; her mother was dying. The noble woman, struck down by illness, said to Lancret: “I do not ask for alms, I ask you to help me preserve the honor of my daughter by revealing the name of her father and presenting proof of her origin.

Old age.
Old age.

This is necessary for my daughter, otherwise she will go to a monastery. If you help me, then I can die in peace.” Lancret promised. Soon the girl’s mother actually died. The shocked Lancret began to make inquiries and discovered that the girl was the granddaughter of the famous writer Boursault, author of dramas and comedies, including the literary work “Aesop in Court”. In 1741, Lancret married Boursault’s granddaughter. The marriage to Marie de Boursault was short-lived, and Lancret died two years later of pneumonia; he died in Paris on 14 September 1743.

Minuet, 1720 1740.
Minuet, 1720 1740.
Maturity.
Maturity.
Lady and gentleman with two girls in a garden, 1742.
Lady and gentleman with two girls in a garden, 1742.
Italian meal 1738.
Italian meal 1738.
Nicolas Lancret In nature.
In nature.
Nicolas Lancret Feast in the open air 1735.
Feast in the open air 1735.
Nicolas Lancret Dancing in the Pavilion 1730 1735.
Dancing in the Pavilion 1730 1735.
Nicolas Lancret Dancing at the Fountain 1730 1735.
Dancing at the Fountain 1730 1735.
Nicolas Lancret Concert in the Park 1730s.
Concert in the Park 1730s.
Nicolas Lancret Childhood.
Childhood.
Nicolas Lancret Camargo Dancer, 1730s.
Camargo Dancer, 1730s.
Nicolas Lancret Bird in a cage.
Bird in a cage.
Nicolas Lancret Bathers, circa 1730.
Bathers, circa 1730.
Nicolas Lancret Concert in the bosom of nature 1738.
Concert in the bosom of nature 1738.
Nicolas Lancret Bathing ladies 1720 1730.
Bathing ladies 1720 1730.